Post by MultiFast Is MultiFun on Feb 22, 2004 11:13:02 GMT -5
I have used the new scanner to good effect this morning and have attached the comments from Nigel Irens on the subject of foils. This is going to upset a number of people but the facts of life are hard.
Be warned a lot of people who know little about foils in the real world will very unhappy and those who know a little still unhappy. The 90 year Sam will agree that Nigel is right and those who support the same rationale thinking. The attachment reveals all.
Chapman has a soul mate across the Atlantic called Sam Bradfield, a Florida-based, 90’s -something professor of hydrodynamics who commissioned British multihull designer Nigel Irens on a project to build a 37ft hydrofoiling trimaran. Bradfield has had his tri up to speeds of 30 knots, although it would not beat a conventional tri of similar dimensions around a course, according to Irens. Off wind speed is blistering, but upwind performance is tamer so far Chapman's experience with 'Ceres' has led him to believe that sailing in a mode of 'flying displacement' - his term for raising the hull aft inches out of the water while still maintaining contact with the surface - is faster than fully foiling for upwind VMG.
Irens believes that whereas an International Moth relies on body weight to keep the boat upright, the forces on a multihull are such that) technology and theories of hydrofoiling are not directly transferable. If it were, we would have seen them on the 60ft ORMA trimarans by now. Irens is one of the leading designers on this cutting-edge circuit, and has also designed Ellen MacArthur's new 75ft trimaran.
Irens picks up on Pemberton's earlier point of the narrow performance envelope of hydrofoils, The ORMA tris have to cross oceans whilst beds sailed single-handed, and Irens believes the risks are becoming excessive with current technology, let alone attaching untested hydrofoils to these untamed beasts. The other issue is cost, and Irens says experimenting with hydrofoiling would send budgets skyrocketing beyond the bounds of most ORMA sponsors.
Instead, the latest generation of 60ft tris has employed curved daggerboards, which apply a combination of lateral resistance (like a conventional centreboard) and horizontal lift. Irens believes it was John Shuttleworth who first. came up with the idea in the 70s, when he was designing fast multis such as 'Brittany Ferries'I Chay Blyth. But the resurgence of interest in the technology has been led by La Rochelle design Marc Lombard. Now the curved foils are becoming must-have technology for the 60s and are beginning to replace straight foils. 'Over the last three years this technology has really come on strong,' explains Irens, who says the curved foils are more versatile. 'When you put a straight foil down at 45 degrees, you get a degree of vertical and horizontal force. You get what you get, but you can't vary the relationship between the two components.'
Irens says that lifting force increases with the square of the speed, so the changing relationship between lift and speed demands different combination of lifting force and later resistance from the foil. This is the beauty of the curved foil. When you push the foil down there is a large lift component, which is useful for light winds. As you pull the foil up, the lift component reduces but the lateral resistance remains. He points out that the aim is not to have the leeward hull clear of the water but merely reduce hull drag whilst keeping the float kissing the surface. The 60s are limited to 11.8 square metres of lifting foil (measured by viewing the foils from above). Irens doesn't want to see these 60s hydrofoiling quite yet. When you realize the that for last year's Route du Rhum across the Atlantic only three out of the 18 tris made it to the finish, he has a point.
He does reckon there is some potential for helping lift the windward hull of the big ocean going cats like 'Maiden II' clear of the surface, but again there are huge safety issues to consider. For the time being, it seems as though the real pioneering work will be left to the small-boat community.
EDIT: Image was added for easier reference.
Be warned a lot of people who know little about foils in the real world will very unhappy and those who know a little still unhappy. The 90 year Sam will agree that Nigel is right and those who support the same rationale thinking. The attachment reveals all.
Chapman has a soul mate across the Atlantic called Sam Bradfield, a Florida-based, 90’s -something professor of hydrodynamics who commissioned British multihull designer Nigel Irens on a project to build a 37ft hydrofoiling trimaran. Bradfield has had his tri up to speeds of 30 knots, although it would not beat a conventional tri of similar dimensions around a course, according to Irens. Off wind speed is blistering, but upwind performance is tamer so far Chapman's experience with 'Ceres' has led him to believe that sailing in a mode of 'flying displacement' - his term for raising the hull aft inches out of the water while still maintaining contact with the surface - is faster than fully foiling for upwind VMG.
Irens believes that whereas an International Moth relies on body weight to keep the boat upright, the forces on a multihull are such that) technology and theories of hydrofoiling are not directly transferable. If it were, we would have seen them on the 60ft ORMA trimarans by now. Irens is one of the leading designers on this cutting-edge circuit, and has also designed Ellen MacArthur's new 75ft trimaran.
Irens picks up on Pemberton's earlier point of the narrow performance envelope of hydrofoils, The ORMA tris have to cross oceans whilst beds sailed single-handed, and Irens believes the risks are becoming excessive with current technology, let alone attaching untested hydrofoils to these untamed beasts. The other issue is cost, and Irens says experimenting with hydrofoiling would send budgets skyrocketing beyond the bounds of most ORMA sponsors.
Instead, the latest generation of 60ft tris has employed curved daggerboards, which apply a combination of lateral resistance (like a conventional centreboard) and horizontal lift. Irens believes it was John Shuttleworth who first. came up with the idea in the 70s, when he was designing fast multis such as 'Brittany Ferries'I Chay Blyth. But the resurgence of interest in the technology has been led by La Rochelle design Marc Lombard. Now the curved foils are becoming must-have technology for the 60s and are beginning to replace straight foils. 'Over the last three years this technology has really come on strong,' explains Irens, who says the curved foils are more versatile. 'When you put a straight foil down at 45 degrees, you get a degree of vertical and horizontal force. You get what you get, but you can't vary the relationship between the two components.'
Irens says that lifting force increases with the square of the speed, so the changing relationship between lift and speed demands different combination of lifting force and later resistance from the foil. This is the beauty of the curved foil. When you push the foil down there is a large lift component, which is useful for light winds. As you pull the foil up, the lift component reduces but the lateral resistance remains. He points out that the aim is not to have the leeward hull clear of the water but merely reduce hull drag whilst keeping the float kissing the surface. The 60s are limited to 11.8 square metres of lifting foil (measured by viewing the foils from above). Irens doesn't want to see these 60s hydrofoiling quite yet. When you realize the that for last year's Route du Rhum across the Atlantic only three out of the 18 tris made it to the finish, he has a point.
He does reckon there is some potential for helping lift the windward hull of the big ocean going cats like 'Maiden II' clear of the surface, but again there are huge safety issues to consider. For the time being, it seems as though the real pioneering work will be left to the small-boat community.
EDIT: Image was added for easier reference.